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She literally runs away from them, hoping that she can keep them at bay while also staving off the want to return to her heartless ex-girlfriend.
Any person who has ever been through a tough break-up and existential crisis like this knows that the best thing she could do for herself would be to spend time alone and reconfigure what she wants and who she is. In a film where Gabbi’s reconfiguring of her own identity is juxtaposed with the coming out of Cory’s gay male friend, the overall idea is to embrace who you are; be yourself and live the life you want.
A rebound relationship with anyone would seem unconvincing, but the idea that she’s in love with Cory (someone who, incidentally, is unhappy in his life and has no idea what he wants or no real ambition for anything specific), is a bit of a stretch.
Emily Meade is fantastic in her role, believable and perfectly balanced in both emotional and comical moments as a lesbian struggling to figure out what her new feelings mean for her.
Gabbi’s lesbian couple friends (played by Rebecca Drysdale in a stereotypical butch role and Alia Shawkat as her non-descript partner) try to help her to feel better about what has happened instead of shaming her, and protect her from Heather when she returns to sucker Gabbi into apologizing.
To stoke that needed urgency, the pilot apes Prison Break by also keeping tabs on Angela Huntley (Karen Le Blanc), the U. All this cat-and-mouse, who-did-what-to-whom action is serviceable, but creator Chad Hodge does better with the family story.
The kids are started on familiar arcs (girl tries being popular, boy comes to understand his father, etc.), and the dialogue is sharp: even in their desperate circumstances, Henry and Hannah remain believably rude to one another.
(It’s worth noting that Cory is not threatened by Gabbi’s sexuality, but instead hopeful she will not see it as a barrier to their possibility.)Caution: Spoilers ahead. is a queer comedy with some problematic elements but ultimately provides the moral that only you can dictate your happiness, and you should, no matter what that means for who you are, or thought you were.
Skip the next paragraph if you don’t want to know how the film ends. It’s done with a laugh and a wink, but the implication that bisexuality is a choice between genders is still very much there. Although most lesbians will probably never find themselves in this situation, so perhaps this is a bit of a male fantasy as experienced by one lucky guy with the access and privilege to make a film about it.
The film is not flippant about Gabbi’s process; she is struggling, and jokes aren’t made at her expense.